纯用水墨的画体,始于唐代,成于宋代,盛于元代,明清以后成为主流,在中国画中称为水墨画。即以笔法为主导,充分发挥墨法的功能,取得“水墨晕章”、“如兼五彩”的艺术效果。水墨画的出现,在历史上并不是一种偶然现象,它是中国传统的哲学尤其是老庄哲学思想在艺术实践上的必然结果。我们先从形式上揣摩水墨画的着色和构图。老子 Pure ink painting body, began in the Tang Dynasty, into the Song Dynasty, flourished in the Yuan Dynasty, became the mainstream after the Ming and Qing dynasties, in Chinese painting called ink painting. That is, taking the method of writing as the leading factor, giving full play to the function of Mo Fa and obtaining the artistic effect of “Mozambique ” and “Like Wu Cai ”. The emergence of ink painting is not an accidental phenomenon in history. It is the inevitable result of the artistic practice of Chinese traditional philosophy, especially Lao Zi and Zhuang philosophy. We first try to figure out the coloring and composition of ink painting in form. Lao Tzu