几乎谁都注意到了,近几年,中国的电视纪录片正在成为中国电视上闪光的热点,正在带动着中国电视文化的新走向。细心地观览一下我们面对的实际,特别是九十年代中国电视纪录片的创作,无论是题材内容的多样性、创作方法的各异性,还是与社会联系的广泛性上,都出现了一个崭新的局面。从大型长篇的史诗性作品到短小明快的纪录短片,都有佳作让人目不暇接,更有扛鼎之作问世。中国的改革开放新时期,使中国的电视工作者扩大了观察的视野,拓展了思维的空间,深化了剖析层面,提高了审美境界。他们通过自己不懈的努力、不衰的热情和辛勤的劳动,把发生在他们身边的如火如荼的生活,用对社会的思考和艺术的忠诚搬上屏幕,带来 Almost everyone has noticed that in recent years, China’s television documentary is becoming a hot flash on Chinese television and is driving a new trend in Chinese television culture. Carefully observe the reality we face, especially the creation of Chinese television documentary films in the 1990s, both in terms of the diversity of the subject matter, the diversity of the methods of creation, and the extensiveness of social connections The situation. From the epic length of the epic to the short, crisp short documentary, there are masterpieces dizzying, but also carry the tripod for the advent of the world. In the new period of China’s reform and opening up, television workers in China expanded their horizons of observation, broadened the space for thinking, deepened the profiling level and raised the aesthetic level. Through their unrelenting efforts, fatigued enthusiasm and hard work, they brought the lively life around them onto the screen with social thinking and artistic loyalty