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武当道教在明代走向鼎盛,武当道观成为“朝廷家庙”。与此同时,庆赏剧这一独特的戏曲样式悄然形成,并在深宫内院的戏曲舞台上大放异彩。明代庆赏剧摄取武当道教文化营养,一方面丰富了自身的艺术表现力,另一方面迎合了明代皇室崇信真武、希求长生的心理。本文以杂剧《宝光殿天真祝万寿》为例,从艺术表现和思想内涵两个角度分析明代庆赏剧与武当道教文化的内在关系。
Wudang Taoism went to its peak in the Ming Dynasty, and Wudang Taoism became the “imperial temple”. In the meantime, the unique style of drama is quietly formed and shines on the drama stage of the inner courtyard of the palace. The Ming Dynasty celebrated drama take pictures of Wudang Taoist culture and nutrition, on the one hand, enriched its own artistic expression, on the other hand catered to the Ming Dynasty imperial Chongxin Zhenwu, seeking longevity psychology. This article takes “Baoguang naive wish Wanshou” as an example to analyze the inherent relationship between the Qing dynasty opera and Wudang Taoism culture from two aspects of artistic expression and ideological connotation.