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类型电影理论步入“后类型”(Post-generic)时期,模式化的研究范式和结构主义式的理论分析容易遮蔽类型电影的内部复杂生产机制以及叙事民族性生成机制。在此,提出了两个现实性问题,其一是类型电影研究范式的复杂性以及多义性;其二是中国类型电影创作与研究在西方学术语境与传统东方文化中的融合与创新。本文拟就早期中国电影在“视觉经验”与“现实想象”层面展开,意图返身20世纪20年代的类型电影初显时期,通过类型电影理论研究范式寻找在地性的类型意识以及“中国叙述”的影像共同体。
Type film theory into the “post-generic” period, the model of the research paradigm and the structuralist theoretical analysis of the film easily shrouded in the internal complex production mechanism and narrative nationality generation mechanism. Here, two realistic questions are put forward. One is the complexity and polysemy of the type film research paradigm. The other is the fusion and innovation of the Chinese type film creation and research in the western academic context and the traditional oriental culture. This paper intends to start early Chinese film at the level of “Visual Experience ” and “Realistic Imagination ”, with the intention of returning to the early stage of the genre films of the 1920s and looking for genre awareness in the genre through the research of the genre film theory As well as the “China narrative” image community.