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汪立三的钢琴作品《涛声》在中国钢琴作品中体现了传统的调性,也引用了国外音乐的调性。怎样用现代的钢琴演奏技巧来诠释这首作品,使其既能体现作曲家的真实想法,又能表现出中国作品特有的外在表现力,是值得我们探讨的问题。乐曲的创作来源于作曲家对画卷的感触,文章主要探讨用什么样的演奏技巧能表现出作曲家的情感,更贴近画家的画意,才能使作品的声音表现力经久不衰。
Wang Lisan’s piano poem, Tao Sheng, embodies the traditional tonality in Chinese piano works and also references the tonality of foreign music. How to interpret this piece of work with modern piano playing skills so that it reflects the real thoughts of the composers as well as the unique external expression of Chinese works is something that we should explore. The writing of music comes from the feeling of the composer on the picture scroll. The article mainly discusses what kind of playing technique can show the composer’s emotion and closer to the painter’s intention to make the sound performance of the work endure.