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花鸟画的审美观主要体现在画面以小见大的审美思想和表现中。文人受到儒、道、释思想的影响,形成天人合一的审美观和宇宙观,并将这种思想融入到花鸟画的表现中,形成花鸟画独特的审美观。文人笔下的花花草草已经不再是简单的花草,是天人合一、以小见大的哲学思想和审美观的承载体;是作者自身心性和情感的伸展、延伸,思想、认知的表现。这一切的表现需要绘画材料和语言的承载,写意性的语言为其提供了广阔的自由空间。
The aesthetics of flowers and birds painting is mainly reflected in the subtlety of the aesthetic thoughts and expressions in the images. The literati are influenced by Confucianism, Taoism and Buddhism, forming aesthetics and cosmology which are the unity of man and nature, and integrating this kind of thinking into the performance of flowers and birds to form a unique aesthetic view of flowers and birds. The novels and writings of the literati are no longer simple flowers and plants. They are the carrier of the unity of nature and man, and are based on the philosophy of philosophy and the aesthetic concept. They are the extension, extension, thoughts and cognition of the author’s own psychology and emotion . The performance of all this needs the bearing of painting material and language, and the freehand space is provided by the freehand language.