论文部分内容阅读
戏曲是我国传统的综合艺术,它涉及到文学(剧本唱词)、音乐、美术、表演、武术等诸多艺术领域,主体是戏剧与音乐的结合。它作为中华民族的一大文化和精神财富,是我们民族精神的化身,而京剧更是被国人称为国粹。然而当前戏曲有着“戏院门前车马少,场内座位空席多”的不景气现象。在广大音乐听众对所欣赏音乐类型的选择上,在专业音乐教育和国民音乐教育的师资建设、课程建设、教育观念方面,在大众传媒的音乐导向上等等,都存在着“西盛中衰”、“古虚今亢”的倾向。本文从戏曲音乐的文化内涵入手,深入的探讨了戏曲音乐的发展现状和意义,然后立足于戏曲音乐的传承与发展来谈戏曲音乐的创新手段。
Traditional opera is an integrated art in China. It involves many fields of art such as literature (script libretto), music, art, performance, martial arts, etc. The main body is the combination of drama and music. As a great culture and spiritual wealth of the Chinese nation, it is the embodiment of our national spirit. Peking Opera is also called the quintessence of the Chinese people. However, the current drama has a “recession in front of the cinema, empty seats in the venue ” depression phenomenon. In the vast majority of music listeners on the choice of the type of music they enjoy, there are “Xishengzhongzhong in the music direction of the mass media in terms of teachers’ construction of professional music education and national music education, curriculum construction, educational concepts, Bad ”, “ ancient virtuous Kangxi ”tendency. Beginning with the cultural connotation of opera music, this article explores the present situation and significance of the development of opera music in depth, and then discusses the innovative means of opera music based on the inheritance and development of opera music.