翻阅、整理中国近现代音乐史、特别是国立音专史方面的老档案,是我近年来最重要的读书生活。“巫一舟”这个名字频繁遇到,引起我的注意。网上搜索之,信息甚少。再过几年,上海音乐学院与武汉音乐学院能记起巫一舟(1913-1997)这位杰出学长与敦厚师长的人也会越来越少吧。一代大家,就要消失在茫茫人海中了。相对于作曲家有作品,理论家有文字,表演家有录音,不论好坏,总能留下踪迹,而老一辈表演艺术教育家则存世文献甚少,总是件令人遗憾的事情,他们的业绩亦是中 It is my most important reading life in recent years to browse through and organize the old files in the history of modern Chinese music, especially in the history of the national audiovisual history. “Witch boat ” the name encountered frequently, caught my attention. Search online, very little information. In a few years, the Shanghai Conservatory of Music and Wuhan Conservatory of Music will remember fewer and fewer people, Wu Dongzhou (1913-1997), an outstanding fellow and an honest fellow. A generation, we will disappear in the big crowd. Relative to the composers have works, the theorists have text, performers recording, good or bad, can always leave traces, while the older generation of performing arts educators have surviving little literature, is always a regrettable thing, Their performance is also good