曹雪芹有意识地在借用小说形式向读者宣扬他的“趣味”小说观, 蕴含着艺术革新与反理学的双重意义。“趣味”说标志着中国小说家对小说艺术本质的认识又迈入了一个崭新的阶段。 Cao Xueqin consciously used his novels to promote his “novel” concept to readers, which embodies the dual meaning of artistic innovation and anti-science. “Fun ” said that marks the Chinese novelist’s understanding of the essence of the art of the novel has entered a new stage.