如果将2000年上海双年展看作当代艺术在中国合法化转型的开始,2011年上海美术馆解体为中华艺术宫和上海当代博物馆,以及拍卖业绩的衰落,这预示着当代艺术以一种硬着陆式的转型告一段落,并进入一个先天不足和被扭曲的发展瓶颈期。当代艺术如同一架飞机硬着陆式的坠地,不免伤痕累累遭受重创。这架飞机在十年转型中表现出四大困境:1.合法化只取得一个“被统战”对象的地位,但其批判 If we regard the 2000 Shanghai Biennale as the beginning of the legal transformation of contemporary art in China, the dissolution of the Shanghai Art Museum in 2011 as the China National Palace of Fine Arts and the Shanghai Museum of Contemporary Art, together with the decline of the auction performance, indicates that contemporary art, with a hard The land-based transition came to an end, with an inherent and distorted development bottleneck. Contemporary art, like a hard landing landing, can not help but bruise suffered heavy losses. The plane showed four major dilemmas during its ten-year transition: 1. Legitimacy only achieved the status of a “united front” object, but its critique