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偶像崇拜意识,是中国文学史上值得进一步探讨的重要话题。这种意识,随着个人遭遇和时代沉淀,便逐渐演绎成为一种共性情结。相比“相如情结”“诗圣情结”“东坡情结”而言,对诸葛亮的偶像式崇拜,尽管无数传统文人在文学创作中都有着有意无意的反映,然鲜有学者对此进行深入的分析论述。纵观这种崇拜对象与文人本身契合之焦点,多集中在“抱膝”二字,故名“抱膝情结”。从接受史的角度揭示中国传统文人“抱膝情结”的思想来源,梳理中国传统文人“抱膝情结”的时代特征,就“抱膝情结”进取、失意、隐逸、相思等主要内容作深度挖掘,不仅有助于深化对诸葛亮的解读,而且于推动文学意识的流变研究亦不无裨益。
The consciousness of idolatry is an important topic deserving further exploration in the history of Chinese literature. This awareness, with personal experience and precipitation of the times, gradually deduced to become a common feeling. In terms of “idol worship” of Zhuge Liang, innumerable traditional literati have intentionally or unintentionally reflected in literary creation compared with “Xiangu Complex” “poetic complex” “Dongpo complex” Some scholars have conducted in-depth analysis and discussion. Throughout this worship object and the literati itself, the focus of convergence, and more concentrated in the “tuck the knee,” the word, hence the name “tuck”. From the perspective of accepting history, this paper reveals the origin of Chinese traditional literati ’s idea of “tuck in the knee ” and combs the characteristics of the times in the traditional Chinese literati “tuck in the knee ” "complex And other major content for deep excavation, not only help to deepen the interpretation of Zhuge Liang, but also to promote the rheological study of literary consciousness is not without merit.