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朝鲜美术史可追溯到朝鲜半岛的新石器时代。《中国大百科全书》和《世界美术史》(东方卷)中对朝鲜美术的介绍仅限于高句丽时期和新罗时期,而对战后的朝鲜美术,不论是文字还是作品介绍得都很少。虽然笔者是学美术的,对外国各时期的油画作品有一定的了解,但朝鲜美术作品在我脑海里的印象只有油画《普天堡的火炬》、《早晨的千里马铜像》(李相文作)、《金刚山》(郑永万作),对近现代的朝鲜美术,尤其是油画作品知之甚少。
North Korean art history goes back to the Neolithic period of the Korean Peninsula. The introduction of Korean art in Encyclopedia of China and World Art History (Eastern volume) was limited to the Kogury 丽 period and the Silla period, while the Korean art after the war, both in writing and in works, was rarely described. Although I was a student of art and had some knowledge of oil paintings from different periods of time in foreign countries, the art of North Korean art impressed me with the paintings of the Torch of Fort Verde, the Statue of Maxima in the Morning (by Lee Sang-wen) “Mount Kumgang” (by Cheng Yong-wan) is poorly known about modern Korean art, especially oil paintings.