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Ljubodrag Andric摄影的极简分析形式并不依靠主体的结构,影像中呈现的景观空间是万物交汇的终点,产生不确定的停滞真空状态。艺术家尝试和所处空间沟通理解的方式,深受文艺复兴艺术的影响,在忽略设计性的建筑环境里寻找出构成的审美和“地中海式”的经典平衡。从理智开始让视觉感受通过一个逐渐的过
The minimalist analysis of Ljubodrag Andric’s photography does not depend on the structure of the subject. The landscape space presented in the image is the end of all things intersection, resulting in an indefinite stagnant vacuum. The way artists try to communicate with the space they live in is deeply influenced by the art of Renaissance, looking for the classic balance of aesthetic and “Mediterranean” compositions in a neglected architectural environment. Beginning with reason, let the visual experience pass through a gradual transition