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崇祯时期,皖江文坛经历了从师法秦汉向师法唐宋的转变。这一转变不仅与艾南英等豫章诸子相呼应,也直接引导了清初钱澄之、施闰章等皖江作家师法唐宋的散文取向,与侯方域、易堂九子、黄宗羲等一道,共同掀起了清初文坛师法唐宋的思潮,为桐城文派的形成提供了坚实的理论基础和丰富的创作经验。理清这一发展脉络,不仅有助于我们加深对桐城文派的认识,也有助于我们了解清初文坛师法唐宋风尚的形成与发展的状况和理路。
During the Chongzhen period, the Wanjiang literary circles experienced the transformation from the Qin and Han Dynasties to the Tang and Song Dynasties. This change not only echoed with Yu Nanzhang, such as Ai Nanying, but also directly guided the essay orientation of Qian-Cheng and Song-Song of Wanjiang Writers in the early Qing Dynasty, such as Qian Chengzhi and Shi Runzhang in the early Qing Dynasty, together with Hou Fang-tuan, Yi Tong Jiugui and Huang Zong-xi , Jointly set off the ideological trend of the Tang and Song Dynasties in the literary and art circles in early Qing dynasty and provided a solid theoretical basis and rich creative experience for the formation of the Tongcheng school of writing. To clarify this vein of development not only helps us to deepen our understanding of the Tongcheng School of Writing, but also helps us to understand the formation and development of the Tang and Song dynasties in the early Qing Dynasty.