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在全球化背景下,美学的多元发展及向日常生活领域的拓展,一方面为美学的复兴带来了新的前景,另一方面也因理论的失范而陷入重大的存在危机。据此,重新厘定美学的学科边界,并在此基础上为多元并存的美学重建理论共识,就成为防止美学在无序扩张中自我取消的必然选择。为此,本刊约请了几位专家,以笔谈的形式探索在中西之间、古典与现代之间、审美文化与美学的固有范式之间建立美的基本共识的可能性,冀为建立全球化时代的美学整体观累积理论共识。
In the context of globalization, the pluralistic development of aesthetics and its expansion into the fields of daily life have brought new prospects for the revival of aesthetics on the one hand, and have also fallen into a major crisis of existence due to the anomie of the theory on the other hand. Therefore, to redefine the subject boundary of aesthetics and reconstruct the theoretical consensus on the coexistence of aesthetics on the basis of it, it becomes an inevitable choice to prevent the aesthetics from self-canceling in the disorderly expansion. To this end, we have invited several experts to explore the possibility of establishing a basic consensus on beauty between the classical paradigms of China and the West, between the classical and the modern, and between the aesthetic culture and the aesthetics in the form of a written dialogue. In order to establish a globalized era Aesthetics overall concept of cumulative theoretical consensus.