瓦当是融书法、绘画、工艺和雕刻于一身的“实用主义美学”的产物,其至晚在北宋时就见于著录。北宋以来,收藏家与致志研究的专家学者不乏其人,研究成果也蔚为壮观。本文从中国书法角度探讨汉代文字瓦当的美学精神。 Vatan is a product of “pragmatism aesthetics”, which integrates calligraphy, painting, technique and sculpture, and was recorded in the late Song Dynasty. Since the Northern Song Dynasty, there have been many experts and scholars in the field of collectors and dedication, and the research results are spectacular. This article explores the aesthetics of Wadang in Han Dynasty from the perspective of Chinese calligraphy.