李正中和张杏娟是两位在伪满洲国时期从事写作的进步作家,同时也是“东北四大知名夫妇作家”之一。他们小说中的“忧郁”主题,反映了他们对当时社会的参与及在其中异化的生存状态。他们的生活是由个人、社会和日本统治者三者之间复杂的关系构成的。其文学中的主人公都力争改变自己的生活,在一个被描述为黑暗,甚至流毒的经济社会里寻找一个符合道德的道路。评价其文学作品需将其放在历史语境中进行考察,尤其是在“八不主义”和梁山丁受迫害的阴影下,他们以政治为主导的短篇小说为流行媒介来批评伪满社会,反对官方宣扬的、以儒家为基础的所谓伪满洲国“乐土”。 Li Zhengzhong and Zhang Xingjuan are two progressive writers who were writing in the puppet Manchukuo period and are also one of the “four well-known couple writers in Northeast China.” The theme of “melancholy” in their novels reflects their participation in the society at that time and their alienated living conditions. Their lives are made up of the complex relationships among the individuals, societies and Japanese rulers. The protagonists in his literature are all striving to change their lives and find an ethical path in an economy that is described as dark and even venomous. To evaluate their literary works needs to be inspected in the context of history, especially under the shadow of persecution by “Eight Immortals” and Liang Shan-ding, their political-led short stories criticize the puppet Society, and oppose the so-called pseudo-Manchukuo stately “paradise” based on Confucianism.