本文认为文学语言的生成过程是由“意”的酝酿、“象”的构思、“言”的书写三个阶段构成的。这个过程 ,既是一个因“应物”而立“意”、为尽“意”而立“象”、为尽“象”而立“言”的传达、交流的过程 ,也是一个在“立意”、“立象”、“立言”的三方面进行审美的发现和审美的创造的过程。这个过程的结果就是既有审美功能又有意指功能的由“言”、“象”、“意”三层次构成的文学文本的产生。因此 ,文本结构不是自我封闭的 ,它是文学语言生成过程的产物 ,同时又是文学语言读解过程的原因 This paper argues that the process of the formation of literary language consists of the deliberation of “meaning”, the concept of “Xiang” and the writing of “Yan”. This process is not only a process of communication and exchange of “speech” but also of “speech” for “image” and “speech” for “meaning” Like “,” Li Yan “three aspects of aesthetic discovery and aesthetic creation process. The result of this process is the creation of literary texts composed of three levels of ”speech“, ”image“ and ”meaning", which have both aesthetic and functional meanings. Therefore, the textual structure is not self-enclosed, it is the product of the process of the formation of literary language and at the same time the reason of the process of reading the literary language