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气韵与意境作为华夏民族独有的文论话语,有其深刻而丰厚的内涵,是中国古代文艺批评的重要范畴,古人的很多文论观点都与之相关。把两者联系在一起,发现它们在显“道”、传“神”和要求品“味”诸方面存在着诸多共通性,对此进行研究,或许有助于理解古代诗、书、画、乐的相关论述,对于在全球化语境中的中国文论建设,及至让中国文论中的优秀遗产走向世界也具有一定的意义。
As a unique discourse of literary theory of the Huaxia people, it has its profound and rich connotation. It is an important category of Chinese ancient literary criticism. Many literary theories of the ancients are related to it. By linking the two together, we find that they have many commonalities in the aspects of “Dao”, “Dao”, “Demanded” and “taste”. Studying this may help to understand ancient times The related discourses on poetry, calligraphy, painting and music are also of great significance to the construction of Chinese literary theory in the context of globalization and to bringing the outstanding legacy of Chinese literary theory to the world.