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日本文豪夏目漱石的初期作《草枕》发表于1906年。当时日本文坛盛行自然主义,漱石为追求一种“非人情”境界,坚持崇尚“美”的自然观,并以陶潜的《桃花源记》为蓝本,塑造了一个画家。这个画家追求没有世俗的桃花源,并在那结识女主人公那美,展开了一段没有情节发展的故事。历来,很多研究将漱石笔下的那古井比作陶潜所创作的桃花源,认为画工所游历的这个世界就是他心目中的乌托邦。然而仔细比较,那古井与桃花源存在种种差别。
Japanese writer Soseki Natsume initial “grass pillow” published in 1906. At that time, Japanese literature prevailed in nature. Soseki sought to pursue a “non-human” realm and insisted on the concept of “beauty”. Based on Tao Qian’s “The Book of Peach Blossoms”, he modeled an artist. The painter pursued the secular Peach Blossom Spring, where she met the beauty of the heroine and started a story without plot development. Historically, many studies have compared the ancient well under Soseki to the Peach Blossom Spring sourced by Tao Qian, believing the world traveled by artisans as his utopia. However, a careful comparison, there are many differences between ancient well and peach.