从仓颉造字开始,中国字一直是表意的象形文字。老祖宗造字,不仅融会了字的灵动美观,更糅合进了字的喜怒哀乐。一个字是一幅图画,那么一个词便是视感极强的世界了。比如“距离”,透过这复杂的横横竖竖,我似乎看到一股幽怨之气的氤氲上行,伴随着古典的美感渐行渐远,若即若离,忽明 Beginning with the creation of characters in Cangjie, Chinese characters have always been ideographic hieroglyphs. The ancestors used to build characters not only integrated the smart and beautiful characters of the characters, but also integrated the joys, sorrows and joys of the characters. A word is a picture, then a word is a very strong sense of the world. For example, “distance”, through this complex horizontal and vertical erection, I seem to see an upsurge of pent-up resentment, accompanied by the gradual decline of the classical beauty, if we leave, suddenly