编者按:我刊一直对简单、武断地依据年度、代际来划分诗艺学与诗史学进行诗歌的学科研究,抱有保留意见;但也充分尊重一些已经约定俗成的、被广为使用的诗坛说法与社会概念。所以,在谨慎的、避免流俗与违反学术规律的前提下,我刊对“70后”诗人这一说法再次引用,并进行力所能及的、充分展示“70后”特质的文本梳理,为中国诗歌存档。 Editor’s Note: My magazine has always had a reserved opinion on the simple and arbitrary methods of dividing poetry and poetic history into poetry based on the annual and intergenerational perspectives. However, I have also fully respected some well-established and widely used poetry circles Saying and social concept. Therefore, under the precondition of being cautious, avoiding stereotypes and violating academic rules, I once again quoted the phrase of “post-70s” poets and carried out the textual combing of the “post-70s” Archive for Chinese poetry.