自从20世纪80年代余华以小说创作的先锋姿态出场至今,他的创作始终是文坛的焦点之一,读者始终对他的小说作品充满了牵肠挂肚的期待,然而,自20世纪90年代中期余华完成他的三部长篇高峰之作以来,他似乎步入了创作“高原”,我们已经六七年没有看到他的小说新作了,其中原因既有文学走向“边缘”等大环境的影响,又有余华自身的原因。本文试图以余华小说创作的主要技巧之一——想象为切入点,力求揭示余华继续小说写作的难度。 Since the emergence of avant-garde style by Yu Hua in the 1980s, his creation has always been one of the focal points of the literary world. His readers are always looking forward to his novels. However, since the mid-90s, Yu Hua completed his He seems to have stepped into the creation of “plateau”. We have not seen any new works in his fiction in six or seven years. The reasons are both the influence of literature on the “fringe” and the environment Yu Hua own reason. This article tries to reveal one of the main skills of Yu Hua’s novels, Imagination as the starting point, and tries hard to reveal the difficulty of Yu Hua’s continued fiction writing.