自戏曲导演制度正式建立到今天,已经过去了差不多五十年。按照培养人才的周期来看,五十年是一个不短的时间,这支队伍应该造就出一批有影响力的著名导演了。可是从近年来一批较为成功的剧目来看,科班出身的戏曲导演并不多,倒是话剧导演占了戏曲舞台的大半壁江山。到底是什么原因导致了这种现象呢?有人曾经解释,戏曲导演在文化的层次上、深度上相对话剧导演来说显得有些薄弱。如果是演员 Since the formal establishment of the drama director system to date, almost fifty years have passed. In accordance with the training of personnel cycle point of view, 50 years is a short period of time, this team should create a number of influential famous director. However, in recent years, a group of more successful repertoire shows that there are not many opera directors from the Corps, but rather drama directors accounted for half of the drama stage. In the end what led to this phenomenon? Someone once explained that opera directors at the cultural level, the depth of relative drama director seemed a bit weak. If it is an actor