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灵与肉、美与丑的搏杀是文学永恒的主题,为了物欲的满足而不惜出卖灵魂在生活中亦不鲜见。王尔德虽力图证明美高于一切,美是时间无法伤害的,艺术家不应有道德同情心。然而,就接受美学的理论而言,文本具有不确定性,一部作品的完成是经过读者和作家共同创作来实现的,也就是通过读者的阅读使文本具体化。文章应用这一理论阐释《道连·葛雷的画像》中美与灵魂对立与不可分割之关系。
Spirit and flesh, beauty and ugly fighting is the eternal theme of literature, in order to satisfy the materialism at the betrayal of the soul in life is not uncommon. Although Wilde sought to prove that beauty is above all else, beauty can not be harmed by time, and artists should not have moral compassion. However, in terms of accepting the theory of aesthetics, the text is indefinite. The completion of a work is achieved through the co-creation of readers and writers, that is, through the reader’s reading of the text. The article uses this theory to explain the relationship between the antagonism and indivisibility of the Chinese and the United States as well as the “Portrait of Dorian Gray”.