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徐复观的心性观念来自自孔孟到宋明理学的思想史阐释,并构成了其中国艺术精神观念的思想根源。在以心性作为价值根源的意义上,徐复观承续中国儒学传统而来的心性观难脱主客相对、对象化的局限性;在对老庄之学的全新阐释中,徐复观以虚静之“无”为心性,极大拓展了传统心性观的思想视野,但同样难脱以“无”为对象的主客相待之局限。徐复观心性观是其中国艺术精神观的根源,心性观的局限同样造成了其中国艺术精神观念的局限,使其所理想的“根源之地的根源性关系”只是发生在主体对象化意欲统摄下的想象中的主体对客体的投射游戏。
Xu Fuguan’s conception of heart and mind comes from the explanation of the history of Confucianism from Confucianism and Confucianism to Neo-Confucianism and constitutes the ideological root of its concept of Chinese artistic spirit. In the sense of taking heart as the root of value, Xu Fuguan inherits the confinement of subject and object from the tradition of Chinese Confucianism, No “for the heart, greatly expanded the traditional vision of the ideological horizons, but also difficult to take ” no "as the object of treatment of the limitations of the subject. XU Fu-guan’s outlook on the outlook on nature is the origin of the concept of the Chinese artistic spirit. The limitation of the outlook on the mind has also caused the limitation of the concept of Chinese artistic spirit, which makes the ideal root cause of the root causes only happen in the subjectivity of the subject Under the imagination of the subject under the projection of the object of the game.