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所谓汉字“修辞”主要是一种“字本位”的修辞策略,即充分利用汉字作为表意文字的特点提高语言表达的效果。“五四”以后,因为对数千年“言文分离”传统的逆反,文坛整体上有一种口语中心主义的潮流;很多作家将学习西文和口语作为主要的语言策略,汉字的深厚与蕴藉被稀释,变成了一种直白、透明、平淡无奇的工具性文字。但是,在现代文学史上,也有以鲁迅为代表的一批作家仍致力于凸现汉字作为视觉符号的表现功能,在传承汉语“字本位”修辞传统方面做了有益的探索。
The so-called Chinese characters “rhetoric” is mainly a “rhetorical” rhetorical strategy, that is, make full use of Chinese characters as the characteristics of ideographic to improve the effect of language expression. After the May 4th Incident, literary circles generally had a colloquial trend because of the traditional reversal of thousands of years of “separation of speech and speech.” Many writers study western languages and spoken English as their main language strategy. Chinese characters The depth and implication of being diluted, into a straightforward, transparent, bland instrumental writing. However, in the history of modern literature, some writers represented by Lu Xun are still devoted to highlighting the function of Chinese characters as visual symbols, and making useful explorations in the tradition of Chinese characters.