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在一些工具书(例如《辞海》、《中国音乐词典》)中,三分损益律与五度相生律被视为完全相同的两种律制。虽然早些年曾有专家指出过这两种律制的差异,但似乎并未引起重视。近年来又有赵宋光先生在《中国大百科全书》音乐舞蹈卷中指出二者尚有不同,但由于体例的关系阐述不够详细;加之此书印数不多,许多人未必能读到,或读到了而未深究,所以仍有人认为这两种律制是相同的。为了概念的准确和清晰,有必要将这一问题再作补充说明。
In some books (such as “Cihai”, “Chinese Music Dictionary”), the three-point loss law and the fifth degree of coincidence law are treated as two identical systems of law. Although some experts pointed out the differences between the two systems in earlier years, it does not seem to have drawn any attention. In recent years, Mr. Zhao Songguang pointed out in the “Encyclopedia of China” music and dance volume that there are differences between the two. However, due to the lack of detailed elaboration of the relationship between the systems, many people may not read or read It has not yet been studied, so some people still think that these two systems of law are the same. In order to be accurate and clear in concept, it is necessary to supplement this question.