引言上个世纪的几部不朽文献(卡尔·弗莱什、伊凡·加拉米安等人所写的关于小提琴演奏的论著)构建了我们小提琴演奏艺术大厦的基本框架。多年来我们一直都试图在演奏和教学的实践中总结出更为科学的原则来为它添砖加瓦。然而,遗憾的是,小提琴演奏理论的发展速度在各行各业都如滚雪球一般加速发展的今天显得多少有点迟缓。有人曾把整个小提琴演奏艺术分为三大块:一般技巧(纯技术)、应用技巧(音乐中用到的技术)和艺术的表现(在完美的 INTRODUCTION The monumental literature of the last century (books by Carl Frescher, Ivan Galamian, et al. On violin performance) built the basic framework of our violinist art building. Over the years we have been trying to sum it up with more scientific principles in playing and teaching practice to build on it. Unfortunately, however, the pace of development of the theory of violin play is somewhat slow at a time when all walks of life are accelerating as snowballs are. Someone once divided the entire violin playing arts into three big pieces: general technique (pure technique), applied technique (technique used in music) and artistic expression