作为当代国画创作的重要现象,“古典情结”也许以一种文人姿态或所谓的复古倾向在坚守一种精神。但在中国画经历了一个世纪“变革”、“创造”的阵痛之后,即使“复古”,也是时代的。本期[现象]栏目对这种“古典情结”的关注与讨论,也是我们在当前“弘扬民族精神,建设先进文化”方面初步思考的过程。同时,[案边点滴]陈绶祥先生关于国画笔法的谈话,也会给我们在民族艺术创作方面有所启示。 程十发先生是建国后在上海成长起来的国画家,他的艺术思想和创作,都在向20世纪的美术史说明“海派无派”的史学现状,阐述一种历史观点。旅日画家杨佴旻的彩墨画,则体现了一位艺术家宁静绵密的东方情怀。天津师范大学艺术学院美术系教师作品,也反映了他们在探索新的教学思路过程中的创作成果。 主持人/赵权利 As an important phenomenon in contemporary Chinese painting, the “classical complex” may stick to a spirit in a kind of literary attitude or so-called retro tendency. However, after Chinese painting has experienced the pain of “reforming” and “creating” for a century, even “retro” is also an era. The current issue of [Phenomenon] on this “classical complex” concerns and discussions is also a process we initially think about at the current stage of “carrying forward the national spirit and building an advanced culture.” At the same time, Mr. Chen Shuxiang’s talk on the brush painting of Chinese painting on a case by case basis will also give us enlightenment in the creation of national art. Mr. Cheng Shifa was a Chinese painter who grew up in Shanghai after the founding of the People’s Republic of China. His artistic thoughts and creations are all telling the 20th century art history the historical status quo of “Shanghai School without any pie” and expounding a historical viewpoint. The painter Yang Jiumin of Japan painter painted an ink painting, which shows the serene and oriental feelings of an artist. Tianjin Normal University College of Fine Arts teachers works, but also reflects their creative thinking in the process of exploring new creative process. Host / Zhao right