自四年前《蛇为什么会飞》引来呶呶争议后,在长篇小说创作中,苏童仿佛销声匿迹遁隐江湖,甫今《碧奴》横空入红尘,并且是非同以往地重述神话,自然避免不了纷争扰扰。面对诸多褒贬,在不同场合,苏童都固执地提及它是自己有史以来最好的一部长篇。面对其争议焦点的神话重述与眼泪叙事,我感兴趣的则是,中国神话为何缺乏文学的叙事传统?在作为焦点讨论的 Since the controversy over why the snake flew four years ago, in the creation of novels, Su Tong seems to disappear from the sky, just now, “Bi Nu” turned into the air, and is repeating the myth, nature Can not avoid disputes and disturbances. In the face of many criticisms and disagreements, on different occasions, Su Tong stubbornly mentioned it as one of the best ever ever. In the face of myths and controversies, I am interested in why there is a lack of literary narrative tradition in Chinese mythology. As the focus of discussion