日本作家安部公房凭借短篇小说《赤茧》而获得了当时的战后文学奖,从而奠定了他在日本当代文学史的地位。安部公房一直善于用象征和寓意的手法来表现现代人所处的孤独状况和生存困境,在他的作品中,成功地塑造了一系列变形、变身的形象来表现对人积极关注的主题。本文将通过解读《赤茧》,分析在作者所设定的异化世界中人的出路和选择,并试图探讨这位“先锋派艺术家”在其作品中体现出的对“人的存在”这一重要命题的关注与思考。 Japanese writer Anno Public Housing won the postwar literary prize with the short story “Red Cocoon”, thus laying a solid foundation for his contemporary literary history in Japan. Public Security Department has always been adept at using symbols and allegorical methods to express the loneliness and survival predicament of the modern people. In his works, it has succeeded in shaping a series of distorted and transfigured images to show the topics of active concern to people. This article will analyze the outlet and choice of human being in the alienated world set by the author through the interpretation of “Red Cocoon” and try to explore the “avant-garde existence” of the “avant-garde artist” in his works Concerns and Reflections on Important Propositions.