在当代艺术资源最大化共享和全民参与的大背景下,博物馆正悄然经历着从“收藏功能”大于“陈展功能”、“教育功能”、“审美功能”的严肃的公共空间,向着前瞻性、审美性、科研性、趣味性,甚至类似于艺术家的夸张个性转变的过程。而在这个过程中,“邀约进入”、“空间排布”、“氛围营造”、“资源利用”等具有鲜明博物馆特色的展览意识,也经历着体现时代特征的变迁。本文举瑞士的几所著名博物馆为主要例证,借助细节分析,最终得出结论:全民博物馆意识到来的时代,是一次涉及个人、社会、政府、专业机构等各个层次通力合作的“文化梳理时代”;是在经济发展条件相对成熟下,全民参与的一场对于历史和文化理性客观多角度、创造性的整合方式。以期对身在其中的当代艺术博物馆发展,起到零星实践提示意义。 Under the background of maximizing the sharing of contemporary art resources and participating in the whole nation, the museum is quietly experiencing a series of changes from “the collection function” to “the exhibition function”, “the educational function”, and the “aesthetic function” Serious public space, forward-looking, aesthetic, scientific, interesting, and even similar to the artist’s exaggerated personality change process. In the process, the exhibition consciousness with distinctive museum characteristics such as “Invitation to enter”, “Arrangement of space”, “Creating atmosphere”, “Resource utilization” change. In this paper, we take several famous Swiss museums as the main examples. With the help of detailed analysis, we conclude that the era of the National Museum of Consciousness is an era of “cultural combing” involving all levels of individuals, society, government and professional institutions Under the relatively mature conditions for economic development, the people are participating in an objective and multi-angle, creative and integrated approach to historical and cultural rationality. With a view to the contemporary art museum in which the development of development, played a sporadic practice tips.