洪浩的作品与虚假文化之间的关联来自于绘画中利用透视法原则而发明或构建出的虚拟现实,利用这种方法使得文化与文化的表达因为权利、财富与商业文化系统所构成的媒介瓦解。他的虚拟的双年展画册,以及他对所搜集已印刷的广告形象的进一步挪用等作品要表达的观念 The link between Hong Hao’s work and fake culture comes from the virtual reality invented or constructed through the use of the principles of perspective in painting. By using this method, the expression of culture and culture is mediated by the medium of rights, wealth and commercial culture collapse. His virtual Biennale album, and his ideas about the further appropriation of printed advertisements collected by him