版画在当代画坛处于一种似乎让人费解的状况:即一方面在今天绘画市场如火如荼热闹之极的时候,版画似乎比较寂寞冷清,拍卖市场上较少见到版画的踪影。而另一面,版画自身却又并不寂寞。弄版画的画家照样画自己的版画,版画的展览照样到处在举办,甚至还有不是搞版画的画家也热情加盟版画的队伍,把版画的世界搞得颇为热烈——至少绝不寂寞!这是怎么回事呢?本该寂寞的版画却并不寂寞!其实仔细想想,版画这种现状十分正常而自然。先看看市场寂寞的现象。版画艺术最大的特点是它的复制性。版画艺术是先制版再印制的一种可复制的绘画样式。因其制版方式的不同又可在版画内部分成多种版画类型。有 Printmaking in the contemporary art scene is in a seemingly puzzling condition: on the one hand, in today’s painting market in full swing, the print seems more lonely deserted, less visible in the auction market prints. On the other hand, the print itself is not lonely. Engraving painters still print their own prints, prints of exhibitions are still held everywhere, and even artists who are not engaged in printmaking enthusiastically joined the printmaking team, making the world of print quite enthusiastic - at least not lonely! What is going on? The lonely print is not lonely! In fact, think about it, print the status quo is very normal and natural. Look at the market lonely phenomenon. The most prominent feature of print art is its reproducibility. Printmaking art is a reproducible style of drawing that is reproduced first. Because of their different ways of making plates, they can be divided into many types of prints in the prints. Have