玛乔瑞·帕洛夫的《诗学新解》提供了一个洞悉其诗歌批评理论的动态视角,其中涉及的帕洛夫与布鲁姆之间的诗学对话揭示了帕洛夫学术思想的微妙变化。两者论争的三个焦点,即审美批评、语言本体、现实关怀,构成了帕洛夫辨微阅读的核心,使她在批判地吸收新批评和文化批评的基础上形成独特的诗歌批评理论。借此,帕洛夫不仅梳理了诗歌传统,而且还发现了一个与新批评所推崇的象征性诗歌传统并存的暗示性诗歌传统。 Marjorie Palov’s “New Interpretation of Poetry” provides a dynamic insight into his theory of poetic criticism. The poetic dialogue between Paluf and Broome involved in the study reveals the essence of Paluff’s academic thought Subtle changes. The three focuses of the two controversies, namely, aesthetic criticism, linguistic ontology and realistic care, form the core of Palov’s micro-reading and enable her to form a unique theory of poetry criticism on the basis of critically absorbing new criticism and cultural criticism. By this, Palov not only combed the tradition of poetry, but also found an implicit poetry tradition that coexisted with the symbolic poetic tradition advocated by the New Criticism.