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本文认为，客家文化和客家民系，都是民族融合的产物。南迁至闽粤赣边的汉人与当地的土著民都是客家先民，而土著民中闽越族的成份占有较大的比例。 在客家文化事象方面，从其宗教信仰中透视出的对蛇、石、树、鸟的崇拜，都源自闽越族的古老思想观念；妈祖信仰和临水夫人信仰原来都是闽越土著不同族类的原始崇拜，被客家顺利引进，流传广泛，其中一个主要原因，是客家具有广泛的闽越族信众基础和闽越巫文化背景。客家妇女不缠足之俗亦源于百越或阅越文化，客家方言的一些特殊词汇和特殊语法，据研究是受古百越语影响所致。如此等等，说明客家文化在相当程度上是南迁汉人文化与闽越文化交融的结果。
This article argues that Hakka culture and Hakka family are the product of national integration. The Han Chinese and local indigenous peoples who migrated to the south of Fujian, Guangdong and Jiangxi in the south were all Hakka ancestors, while the indigenous peoples comprised a large proportion of the minorities in the region. In terms of Hakka culture, the worship of snake, stone, tree and bird from their religious beliefs derives from the ancient ideas of Min-Yue people. The beliefs of Mazu and Linshui are all different from those of Fujian and Vietnam One of the main reasons for the primitive worship of ethnic groups, introduced by Hakka and spread widely, is that Hakka has a broad base of followers of Min-Yue ethnic groups and Wu-Woo-Wu culture. Hakka women are not bound by the footsteps of the people also originated in Baiyue or read the culture, some special Hakka dialects and special grammar, according to the study is subject to the ancient Baiyue influence. And so on, indicating that Hakka culture to a certain extent is the result of the combination of the Han culture and the Min-Yue culture.