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对于任何一门艺术来说,“情感”是其创作本体的灵魂。而从“情感”这一人本文化的感念中,我们会发现,中国人以“情趣”这一词来表达对于艺术的态度,本文以“情感”在舞蹈中本体灵魂的重要性。以人本情感为基础,探索中国人内在特有的情感传达与舞蹈艺术的态度,其次从“雅俗共赏”的文化角度分析情感在舞蹈中的区别与不同。人本“情感”精神中的“生”与“死”这两个命题来分析从生活到艺术中,我们如何去认识本我。再者从“雅俗共赏”的角度去分析舞蹈情感在其中的区别,以及本有的重要性。
For any art, “emotion ” is the soul of the body of creation. From the “humanistic” feeling of “emotion ”, we will find that the Chinese expressed their attitude towards art with the word “emotion ”. This paper uses “emotion ” in the dance soul importance. On the basis of humanistic sentiment, this paper explores the attitudes of Chinese people in their unique inner feelings and choreography, and then analyzes the differences and differences between sentiments in dance from the perspective of “Elegance and Popularity”. The two propositions of “life ” and “death ” in the spirit of human “emotion ” to analyze how we know ourselves from life to art. In addition, from the angle of “Elegance and Popularity”, we can analyze the difference between dance emotion and its importance.