1982年林奕华导演的《绝对信号》标志着中国小剧场戏剧的产生,从1982年至今的31年间,小剧场戏剧的创作主流逐渐从实验先锋转向商业大众,这与商业化市场形态的形成密不可分。而小剧场戏剧的主流创作变迁主要体现在两个方面:从突破传统到走向商业,以及从表达“自我”到迎合观众。 Directed by Edward Ip in 1982, “Absolute Signals” symbolized the emergence of theater in China. From the year 1982 till now, the main stream of theater writing has gradually shifted from experimental pioneer to the general public, which is inseparable from the formation of a commercial market. . However, the changes in the mainstream writing of small theater and drama are mainly reflected in two aspects: from breaking tradition to going to business, and from expressing “self ” to cater to the audience.