美国剧作家莉莲·海尔曼戏剧《儿童时代》、《小狐狸》、《丛林深处》和《阁楼玩偶》等,作为第二次女性主义浪潮的前奏,关注女性在面临异性恋制度、婚姻制度和母职制度等父权禁锢时的抗争,展现了海尔曼对父权制度下女性主体性建构的构想。同时,海尔曼笔下获得独立自我的女性却仍然深陷孤独,体现了海尔曼对于建构完整和谐女性主体性深感迷茫。 As the prelude to the second wave of feminism, the American playwright Lillian Hellman plays Childhood, Little Fox, The Jungle, and Attic Doll, focusing on women in the face of heterosexuality, marriage System and the parental system, such as the confinement of the fatherhood, demonstrates Hellman’s concept of the subjectivity of women under the construction of subjectivity. At the same time, the women who get the independent self by Hermann are still lonely, which shows Heerman deeply confused about the subjectivity of building a complete and harmonious woman.