大自然的博大精深,并不是人能用笔墨书尽画罄的。缘于此,奇寅先生的画作在师法自然之中表露出的淡雅心性,就愈发引人细细品味……坊间一直盛传,花鸟画作品难能可贵的是具有自然气息。而在自然气息的氤氲之中,能有些许诗韵,打上艺术家独特的烙印,便是最难能可贵。奇寅先生令我印象最深的是一幅双联水墨画作品《晨韵》。画布中,秋风过耳,一簇金华。画作通幅鲜见草色,仅用若隐若现的灰青对萧瑟的叶片进行勾兑,又加以凝练的草束勾勒,辅以朦胧的远景处理,风吹草低蒲叶香,直教感受秋日曦光中欲说还休的淡雅情绪。在大片的抽象与偶然效应中又处处见到小心控制的意味,比如用挺拔的中锋画叶片,秀劲的蒲草支撑起画面,又有过隙的雀影,灵动活泼,似有莺歌传来。 The profound nature, not one can use pen and ink to finish the painting. Due to this, Mr. Qi Yin’s paintings show the light and elegant nature in the nature of teacher’s law, which leads to more and more savoring. The public has always been rumored that flowers and birds paintings are commendable with a natural flavor. And among the nostalgia of the natural atmosphere, there can be a little poetic rhyme, marked with the artist’s unique brand, is the most valuable. Mr. Qi Yin impresses me most with a double ink painting “Morning Rhyme”. Canvas, the autumn wind too late, a cluster of Jinhua. Throughout the painting, we can see the grass color. Only the looming gray color blends the bleed leaves, and the concise outline of the grass bunch, supplemented by the dim vision, In the light of the mood to rest. In large tracts of abstraction and accidental effects are everywhere to see the meaning of careful control, such as using the center of the tall and straight leaves, Xiujin Pucao support from the screen, there are gaping bird shadow, smart and lively, it seems Yingge came .