《知音》篇集中论述了刘勰理想中的作者与批评者的关系,文章把刘勰的知音理论置于伊泽尔的隐含读者的理论框架对应之下进行重新解读,在二者的同与异中寻找“知音”论的新价值。知音作为一种文本结构,已经被创作时的作者所预设,具体表现为一个引入了语言系统、文学发展史的“六观”系统;不受现实历史因素影响而摈弃倾向性、博观的知音作为审美极依靠“心敏”这一主观审美能力完成对文本的实现。 The book “Zhiyin” focuses on the relationship between Liu Xie’s ideal authors and critics. The article re-interprets Liu Xie’s theory of knowing from the perspective of Isère’s implied reader’s theoretical framework. In search of “sweetheart ” theory of new value. Knowledge as a textual structure has been presupposed by the author at the time of creation, specifically as a “six-view” system that introduces the development of the language system and literature. Without being affected by the historical facts, As a beautiful aesthetics, the comprehension of the concept completes the realization of the text by virtue of its subjective aesthetic ability.