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一大明英烈见传奇,长夜行人路不迷,春雨江南三七度,如花溅泪发新枝。上面这首诗是抗日战争后期,时局低迷之际,几位苦斗在陪都重庆的文化工作者为戏剧家于伶三七初小度宴后,郭沫若赠于伶的一首七绝。诗中嵌进于伶的几部剧作《大明英烈传》、《长夜行》、《杏花春雨江南》和《花溅泪》的剧名,虽然说多少有点即兴的游戏之作,却也体现了进步戏剧作以至整个进步文化艺术界在当时长夜漫漫、风雨如晦、鸡鸣不已气氛中的艰危处境和奋斗进取精神。
A Ming emperor fiercely see the legend, long night road is not lost, Spring Festival thirty-seven degrees south, such as flowers splash tear new branches. The above poem is a post-war era, the current situation downturn, several bitter struggle in Chongqing with cultural workers as dramatists in the early March 27 after the small feast, Guo Moruo a gift to the actor of the seven must. Poems embedded in the play of several actors in the “Ming dynasty heroic biography”, “long night trip”, “apricot Spring Rain Jiangnan” and “flower splash tears” name, although a bit improvisational game, but also It reflects the dilemma and the enterprising spirit of the progressive drama and the whole progressive culture and art community in a long, dark night, crowded atmosphere of crowds.