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宗白华美学与中国哲学特别是老庄、《周易》、佛禅思想的关系最密切。老庄哲学对宗白华美学的影响主要在“道”和“虚”两个方面,庄学是宗白华论述中国艺术审美特征的主要理论基石。《周易》“生生之德”、“无往不复”的理论是宗白华建构生命本体美学的又一形而上资源。同时,宗白华美学还吸纳了禅学的妙悟体验论和禅境理论。建筑在中国古典哲学与传统艺术思想基础上的宗白华美学,是以“生命”为美学本体,以“妙悟”为审美体验方式,以“艺境”为审美境界追求的三位一体的美学体系,即“生命——艺境美学”。
Zong Baihua aesthetics and Chinese philosophy, especially Laozhuang, “Book of Changes”, Buddhism and Zen thought most closely. The influence of Lao Zhuang’s philosophy on Zong Baihua’s aesthetics mainly lies in two aspects: “Tao” and “Xu”. Zhuang Xue is the main theoretical foundation of Zong Baihua’s discussion of the aesthetic characteristics of Chinese art. The theory of “Book of Changes”, “Morality of Living” and “Endlessness” are another metaphysical resource for Zong Baihua to construct aesthetics of life noumenon. In the meantime, Zong Baihua’s aesthetics also absorbed the magical experience theory and Zen theory of Zen. Zong Baihua’s aesthetics based on Chinese classical philosophy and traditional art thoughts is based on “life ” as the aesthetic body, “Miao Wu ” as the way of aesthetic experience, “artistic environment ” as the aesthetic state The pursuit of the Trinity aesthetic system, that is “life - art aesthetics ”.