较之于以往剧作,过士行新作《回家》既保持了一贯的荒诞体认与悖论思考,又在现实态度与艺术表达上表现出明显变化。作为一部实指意义明确的作品,其话题具体而零散;作为一部表达愤怒的作品,它缺乏过士行素有的机智。这些变化显示出剧作家理性不足与缺乏艺术处理耐心的缺憾,影响了剧作的艺术价值。 Compared with the previous dramas, the new work “Going Back” by Shih Tung Bank has not only maintained the consistent absurdity recognition and paradoxical thinking, but also displayed obvious changes in the realistic attitudes and artistic expressions. As a work of definite meaning, its topic is concrete and fragmented. As an expression of anger, it lacks the witness that people have. These changes show that the playwright’s lack of rationality and lack of patience to deal with the shortcomings of the arts have an impact on the artistic value of dramas.