《釜山行》只是把丧尸作为一个特定的背景,去描写小人物面对危机时的反应和状态,凸显人性。在某种程度上,和萨特的境遇剧有些类似每年的韩国电影暑期档,一般都会诞生一部千万人次级别的话题性影片,去年是崔东勋的《暗杀》和柳承菀的《老手》,携手共破千万,今年则是《釜山行》的一骑绝尘。其实,在今年暑期档的影片中,不乏强劲的竞争对手,既有许秦豪的《德惠翁主》,也有金成勋的《隧道》,还有李载汉的《仁川登陆战》。而《釜山行》作为韩国第一部丧尸片,没有任 Busan only uses the zombie as a specific background to describe the reaction and state of the minor in the face of the crisis and to highlight human nature. To a certain extent, Sutt’s drama is similar to the annual Korean film summer document, a million-level subtitle film is generally born. Last year was Cui’s “assassination” and Liu Cheng-hong’s “veteran” A total of 10 million broken this year is “Busan line” a ride away. In fact, in this year’s summer documentary, there is no shortage of strong competitors, both Xu Qinhao’s “De Weng Lord,” there are Jin Chengxun’s “Tunnel”, and Li Zaihan’s “Incheon Landing Battle.” And “Busan trip” as South Korea’s first zombie film, there is no office