本文以意大利小说家卡尔维诺的作品为例,探讨在多元、包容、多样化的后现代语境中小说叙事策略的运用及意义:作者现身文本,进而从小说与现实、虚构与世界关系角度进行“自我拆台”;互文性策略的运用,指明文学作品的总体意义总是超出本文范围变动游移;拼贴与戏仿,使作品变得滑稽,从而否定小说的现实模仿性、颠覆传统小说的意义之维,从而使读者在阅读中形成独特的阅读体验。 This article takes Calvino ’s works by the Italian novelist as an example to explore the application and significance of the novel narrative strategy in a pluralistic, inclusive and diversified postmodern context: the texts appearing in the novel, and then the relationship between the novel and reality, fiction and the world Angle of “self-dismantling”; the use of intertextuality strategies, indicating that the overall significance of the literary works is always beyond the scope of this article changes wandering; collage and parody, so that the work becomes funny, so as to negate the realistic imitation of the novel, Subvert the meaning of the traditional dimension of the dimension, so that readers form a unique reading experience in reading.