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课的灵气 我国古代文论历来有“诗眼”和“文眼”之说。所谓“诗眼”和“文眼”,是指诗文中最能表达作者思想感情的字句,如杜甫《自京赴奉先县咏怀五百宁》一诗洋洋五百言,诗眼却在“朱门洒肉臭,路有冻死骨”二句上。后来看了《南田论画》,才知道还有“画眼”,即绘画中以“点缀”为主要手段的方法,也称为“苔衬”。如同“诗眼”和“文眼”一样,“画眼”在绘画中也极为重要,有“画不点苔,山无生气”的说法。
The Reiki of the lesson Ancient Chinese literary theory has always had the sayings of “poetry eyes” and “art eyes.” The so-called “poetry eyes” and “eye-eyes” refer to the words and phrases that can best express the author’s thoughts and feelings. For example, Du Fu’s “Going from Beijing to Fengxian County with Five Hundred Nings” is a five-by-five poem, but the poetic eyes are “Jianmen sprinkling the smell of meat, the road has frozen bones” on the second sentence. After seeing “Study on Nantian Theory”, I learned that there are also “paintings”, that is, the method of “embellishment” as the main method in painting, which is also called “streaking”. Like “poetry eyes” and “eye-eye”, “painting eyes” is also extremely important in paintings. There is the saying that “painting is not moss and mountains are lifeless”.