上海市公证处制作的2006丙戌狗年有机玻璃台历已端坐案头,随手翻到肆月份的那一面,那是上海市公证处接待大厅北面墙上一幅高200公分、宽610公分的大型铜饰壁画的照片。见此,我即想起在《中国公证》杂志上连载《中国古代证明文化漫谈》的顾云卿先生的一句问话:“只见你经常向各位内外来宾有声有色地解说此铜饰壁画寓义,但你何时能亲撰一文,用文字铭刻,作番传布?”细想一下,此话不无道理,故特撰此稿,对铜饰壁画的丰厚寓义粗作如下诠释。铜饰壁画的主题围绕象征着公证历史的“代书人”的生产工具——笔而展开。图案右半部竖着一支羽毛笔,羽毛笔插在一本翻 Shanghai 2006 Notary Office made in 2006 Plexiglass desk calendar has been sitting on the desk, readily turned to Stanford month side, it is the Shanghai Notary Office lobby north wall of a 200 cm high and 610 cm wide copper Frescoed photo. Seeing this, I immediately remembered a question from Gu Yun-qing, serialized in “Chinese Notarization” Magazine about “Proving Cultural Cultures in Ancient China”: “I saw you often vividly explained the meaning of this bronze mural to all the guests inside and outside, When you can write a pro pro, with the text engraved, spread Fanfan? ”“ Think about it, this statement is not unreasonable, so special author of this draft, rich and sentimental copper fresco murals for the following interpretation. The theme of bronze frescoes revolves around pen ”scribe", a production tool that symbolizes notarial history. The right half of the pattern stood a feather pen, feather pen inserted in a turn