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晚清文人戏曲是古典戏曲的重要组成部分,对其研究主要表现在戏曲分期与晚清时限的限定、晚清文人戏曲的特征与戏曲家的史实、晚清戏曲的体制变革与近代转型等方面。在研究趋势上,出现由零星的个别研究到系统的整体研究发展、由对一般现象的分析到对深层发展肌理探索的趋势。对晚清文人曲的研究的缺憾表现在对晚清戏曲家的群体格局、晚清戏曲的整体戏曲观念与创作心态、晚清戏曲曲体变化的内部机制等研究不足。
The late Qing Dynasty literati opera is an important part of the classical opera. Its research is mainly manifested in the limitation of the stages of opera and the limit of the late Qing Dynasty. The characteristics of the late Qing scholarly dramas and the historical facts of operaists, the institutional changes and the modern transformation of the opera in the late Qing dynasty . In the trend of research, the overall research and development from sporadic individual studies to systems appear from the analysis of the general phenomenon to the exploration of the deep development of the texture. The shortcomings of the research on the literati songs in the late Qing Dynasty are the lack of research on the group structure of the opera singers in the late Qing Dynasty, the overall drama concept and creative mentality in the late Qing drama, and the internal mechanism of the musical composition changes in the late Qing Dynasty.